02 · The work
Each production gets cast, crew, schedules, scripts, scenes, and files. Artistic, production, and stage teams share the same surface and stop running parallel spreadsheets.
A · The headline view
A production page collects every phase the show goes through (rehearsals, tech, performance) plus the roster, scripts, scenes, files, and notes. One URL the whole team shares; one timeline the planner consumes.
The production page replaces the four spreadsheets you currently have open. It's the source of truth for who's on, what's scheduled, what's been changed, and where the script lives.
B · The roster
The roster surface holds per-role assignments with primary and cover, contract status, and per-role call times. Export to a PDF call sheet for a specific event with one click.
Each role on the production has a primary and an optional cover. Call times can be set per role or inherited from the event. Contract status is a column, not an afterthought.
C · Projects Suite
Projects are satellite operations that run alongside the main org — tours, festivals, residencies, co-productions. They inherit people and work types from the parent but have their own roster, schedule, and files.
A project sits inside your main tenant. It has its own roster and schedule, but it draws people from the same staff directory. External collaborators can be invited with scoped access — they see the project but not your house's full operations.
D · Files, scripts, scenes
Production-specific files (scripts, music charts, riders, set drawings) live next to the production they belong to. Per-file access scopes mean external contractors only see what they need.
Files are versioned, scoped to specific roles or groups, and every download is audit-logged. Public-share links work for external contractors who need access but don't have a runorder login.
30-minute discovery call over Teams. We'll walk through how your current production setup would land in runorder.
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